Giacinto Scelsi
Giacinto Francesco Maria Scelsi (; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French.He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his ''Quattro pezzi su una nota sola'' ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence.
Scelsi collaborated with American composers including John Cage, Morton Feldman, and Earle Brown, as well as being a friend and a mentor to Alvin Curran. His work was a source of inspiration to Ennio Morricone's Gruppo di Improvvisazione di Nuova Consonanza, and his music influenced composers like Tristan Murail and Solange Ancona. Provided by Wikipedia
1
by Scelsi, Giacinto, 1905-1988
Published 2002
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 2002
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
2
by Scelsi, Giacinto, 1905-1988
Published 2001
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 2001
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
3
by Scelsi, Giacinto, 1905-1988
Published 1988
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 1988
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
4
by Scelsi, Giacinto, 1905-1988
Published 1988
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 1988
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
5
by Scelsi, Giacinto, 1905-1988
Published 1987
Published 1987
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
6
by Scelsi, Giacinto, 1905-1988
Published 1988
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 1988
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
7
by Scelsi, Giacinto, 1905-1988
Published 1990
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 1990
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
8
by Scelsi, Giacinto, 1905-1988
Published 1989
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 1989
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
9
by Scelsi, Giacinto, 1905-1988
Published 2000
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 2000
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
10
by Scelsi, Giacinto, 1905-1988
Published 2001
Other Authors:
“...Scelsi, Giacinto, 1905-1988...”Published 2001
//IF NOT LOGGED IN - FORCE LOGIN ?> //ELSE THEY ARE LOGGED IN PROCEED WITH THE OPEN URL CODE:?>
Audio
11
12
13
14