Music in opera : a historical anthology /
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Format: | Musical Score Book |
Language: | English Italian French German Latin Spanish Russian |
Published: |
Englewood Cliffs, N.J. :
Prentice-Hall,
[1970]
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Subjects: |
Table of Contents:
- Contains 53 extracts, principally in vocal score.
- "Per quel vago boschetto" from Euridice / Peri
- Toccata, ritornello, prologue from Orfeo / Monteverdi
- "Dunque fa degno" (Orfeo) / Monteverdi
- "Possente spirto" (Orfeo) / Monteverdi
- "Lasciate i monti" (Orfeo) / Monteverdi
- "Speranza, tu mi vai" from L'incoronazione di Poppea / Monteverdi
- "Sento un certo" (Poppea) / Monteverdi
- "Pur ti miro" (Poppea) / Monteverdi
- Overture to Alceste / Lully
- "Il faut passer" (Alceste) / Lully
- Overture to Dido and Aeneas / Purcell
- "Whence could so much virtue spring ..." (Dido) / Purcell
- The Witches' Cave (Dido) / Purcell
- "In our deep vaulted cell" (Dido) / Purcell
- "Ah, Belinda" (Dido) / Purcell
- "Thy hand, Belinda ... When I am laid ..." (Dido) / Purcell
- "O cessate di piagarmi" from Pompeo / Scarlatti
- "Ach, Nero ist nicht Nero mehr" from Octavia / Keiser
- "Va tacito e nascosto" from Giulio Cesare / Handel
- Minuets / Rameau
- "Quel bruit, quels vents" from Hippolyte et Aricie / Rameau
- "Ah se intorna a quest'una funesta" from Orfeo ed Euridice / Gluck
- "Chiamo il mio ben ..." (Orfeo) / Gluck
- "Che puro ciel" (Orfeo) / Gluck
- "Fortune ennemie" (Orfeo et Euridice) / Gluck
- Overture to Alceste / Gluck
- "In braccio alla vendetta ..." from / Il trionfo dell'onore / Scarlatti
- "How happy could I be with either" from The Beggar's Opera / Gay-Pepusch
- "I'm bubbled" (Beggar's Opera) / Gay-Pepusch
- "Sempre in contrasti" from La Serva Padrona / Pergoiesi
- "Per te ho io nel core" (Serva Padrona) / Pergolesi
- "J'ai perdu tout mon bonheur" from Le Devin du village / Rousseau
- "Bald die Blonde" from Lisuart und Dariolette / Hiller.
- "Se vuol ballare ... Voi che sapete" from Le Nozze di Figaro / Mozart
- "In quali eccesi ... Mi tradi" from Don Giovanni / Mozart
- "Alla bella Despinetta" from Così fan tutte / Mozart
- "Der Vogelfanger bin ich ja" from Die Zauberflöte / Mozart
- "Mir ist so wunderbar" from Fidelio / Beethoven
- "Ha! welch' ein Augenblick!" (Fidelio) / Beethoven
- "Wie kalt ist es in diesem unterirdischen Gewölbe" (Fidelio) / Beethoven
- "Voyez sur cette roche" from Fra Diavolo / Auber
- "Gloire, gloire au grand Dieu vengeur" from Les Huguenots / Meyerbeer
- "C'est ici? ... Ah je ris de me voir" from Faust / Gounod
- "Largo al factotum" from / Il barbiere di Siviglia / Rossini
- "Sediziose voci ... Casta Diva" from Norma / Bellini
- "O giusto cielo" ... Il dolce suono" [The Mad Scene] from Lucia di Lammermoor / Donizetti
- "Uhui, uhui, ..." [The Wolf's Glen Scene] from Der Freischutz / Weber
- "Wir winden dir den Jungfernkranz" (Freischutz) / Weber
- "Johohoe" from Der Fliegende Hollander / Wagner
- "In fernem Land" from Lohengrin / Wagner
- "Dass der mein Vater nicht ist" from Siegfried / Wagner
- Prelude (a segment of the piece) from Tristan und Isolde / Wagner
- "Mir erkoren, mir verloren" (Tristan) / Wagner
- "Kennst du der Mutter Künste nicht?" (Tristan) / Wagner
- "O König, das kann ich dir nicht sagen" (Tristan) / Wagner
- "O Wonne, nein" (Tristan) / Wagner
- Final bars of Tristran und Isolde / Wagner
- Prelude to Act III of Die Meistersinger / Wagner
- "Ah, fors'è lui ... Sempre libera" from La Traviata / Verdi
- "Credo in un Dio crudel" from Otello / Verdi
- "Mia madre aveva una povera ancella" (Otello) / Verdi
- Final bars of Otello / Verdi
- Coronation Scene from Boris Godunov / Mussorgsky
- Polka from The Bartered Bride / Smetana
- "Je vais danser en votre honneur" from Carmen / Bizet
- "Eh! j'imagine que cette belle enfant" from Manon / Massenet
- "Hôtelier de malheur!" (Manon) / Massenet
- "Ah! quelle journée! Tu es fatigué?" from Louise / Charpentier.
- "Le sue rendite oneste da un pezzo non riceve" from La Boheme / Puccini
- "Chi è là? ..." (Bohème) / Puccini
- Introductory music from Tosca / Puccini
- "Pourquoi pleures-tu?" from Pelleas et Melisande / Debussy
- "Je vais me coucher sur le marbre" (Pelleas) / Debussy
- "Je ne puis me pencher davantage" (Pelleas) / Debussy
- "Non, non, nous n'avons pas été coupables" (Pelleas) / Debussy
- "Wo ist er, dessen Sü̈ndenbecher jetzt voll ist?" from Salome / Strauss
- "Prinzessin, ich flehe, geh' hinein!" (Salome) / Strauss
- "Dein Mund ist röter als die Fusse der Manner," (Salome) / Strauss
- "Lass mich deinen Mund küssen" (Salome) / Strauss
- "Es wird Schreckliches geschehn" (Salome) / Strauss
- "Da kommt ein Licht!" from Erwartung / Schoenberg
- "Mühlrad mehr sehn" from Wozzeck / Berg
- "Eia popeia," (Wozzeck) / Berg
- "Übrigens, ein Paar Lippen!" (Wozzeck) / Berg
- Scene change to scene 3, "Ich seh' nichts" (Wozzeck) / Berg
- "Ein Jäger aus der Pfalz" (Wozzeck) / Berg
- "Wie der Mond rot aufgeht!" (Wozzeck) / Berg
- "Ich find's nicht" (Wozzeck) / Berg
- "Damn you, give me dem bones!" from Porgy and Bess / Gershwin
- "Good mornin', Mister Archdale," (Porgy) / Gershwin
- "Peter tell me one thing" from Peter Grimes / Britten
- "Clear the court!" (Peter Grimes) / Britten
- "Fair lady, gracious gentlemen," from The Rake's Progress / Stravinsky
- "With air commanding and weapon handy" (Rake's Progress) / Stravinsky
- "Allô, allô, mais non, Madame," from La Voix humaine / Poulenc
- "Allô, Mad'moisell', il me redemand'" (Voix humaine) / Poulenc
- "Dépêche-toi. Vas-y." (Voix humaine) / Poulenc
- "Bomarzo!" (Bomarzo) / Ginastera
- "O Rex gloriae (Bomarzo) / Ginastera
- "Emperador Lucifer" (Bomarzo) / Ginastera.