Music in opera : a historical anthology /

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Bibliographic Details
Other Authors:	Brody, Elaine (Compiler), Peri, Jacopo, 1561-1633, Monteverdi, Claudio, 1567-1643, Ferrari, Benedetto, approximately 1603-1681, Lully, Jean-Baptiste, 1632-1687, Purcell, Henry, 1659-1695, Scarlatti, Alessandro, 1660-1725, Keiser, Reinhard, 1674-1739, Handel, George Frideric, 1685-1759, Rameau, Jean-Philippe, 1683-1764, Gluck, Christoph Willibald, Ritter von, 1714-1787, Pergolesi, Giovanni Battista, 1710-1736, Rousseau, Jean-Jacques, 1712-1778, Hiller, Johann Adam, 1728-1804, Mozart, Wolfgang Amadeus, 1756-1791, Beethoven, Ludwig van, 1770-1827, Auber, D. F. E. (Daniel François Esprit), 1782-1871, Meyerbeer, Giacomo, 1791-1864, Gounod, Charles, 1818-1893, Rossini, Gioacchino, 1792-1868, Bellini, Vincenzo, 1801-1835, Donizetti, Gaetano, 1797-1848, Weber, Carl Maria von, 1786-1826, Wagner, Richard, 1813-1883, Verdi, Giuseppe, 1813-1901, Mussorgsky, Modest Petrovich, 1839-1881, Smetana, Bedřich, 1824-1884, Bizet, Georges, 1838-1875, Massenet, Jules, 1842-1912, Charpentier, Gustave, 1860-1956, Puccini, Giacomo, 1858-1924, Debussy, Claude, 1862-1918, Strauss, Richard, 1864-1949, Schoenberg, Arnold, 1874-1951, Berg, Alban, 1885-1935, Gershwin, George, 1898-1937, Britten, Benjamin, 1913-1976, Stravinsky, Igor, 1882-1971, Poulenc, Francis, 1899-1963, Ginastera, Alberto, 1916-1983
Format:	Musical Score Book
Language:	English Italian French German Latin Spanish Russian
Published:	Englewood Cliffs, N.J. : Prentice-Hall, [1970]
Subjects:	Operas > Excerpts > Vocal scores with piano. Operas > Excerpts > Piano scores. Operas > Analysis, appreciation. Musical analysis > Music collections. Music appreciation > Music collections. Opéras > Extraits > Partitions chant et piano. Opéras > Extraits > Partitions de piano. Opéras > Analyse et appréciation. Analyse musicale > Anthologies. Musique > Appréciation > Anthologies. Music appreciation. Musical analysis. Vocal scores with piano. Music collections. excerpts. Collections. Excerpts. Operas. Piano scores. Vocal scores. Partitions de chant. Partitions de piano. Extraits.

Table of Contents:

Contains 53 extracts, principally in vocal score.
"Per quel vago boschetto" from Euridice / Peri
Toccata, ritornello, prologue from Orfeo / Monteverdi
"Dunque fa degno" (Orfeo) / Monteverdi
"Possente spirto" (Orfeo) / Monteverdi
"Lasciate i monti" (Orfeo) / Monteverdi
"Speranza, tu mi vai" from L'incoronazione di Poppea / Monteverdi
"Sento un certo" (Poppea) / Monteverdi
"Pur ti miro" (Poppea) / Monteverdi
Overture to Alceste / Lully
"Il faut passer" (Alceste) / Lully
Overture to Dido and Aeneas / Purcell
"Whence could so much virtue spring ..." (Dido) / Purcell
The Witches' Cave (Dido) / Purcell
"In our deep vaulted cell" (Dido) / Purcell
"Ah, Belinda" (Dido) / Purcell
"Thy hand, Belinda ... When I am laid ..." (Dido) / Purcell
"O cessate di piagarmi" from Pompeo / Scarlatti
"Ach, Nero ist nicht Nero mehr" from Octavia / Keiser
"Va tacito e nascosto" from Giulio Cesare / Handel
Minuets / Rameau
"Quel bruit, quels vents" from Hippolyte et Aricie / Rameau
"Ah se intorna a quest'una funesta" from Orfeo ed Euridice / Gluck
"Chiamo il mio ben ..." (Orfeo) / Gluck
"Che puro ciel" (Orfeo) / Gluck
"Fortune ennemie" (Orfeo et Euridice) / Gluck
Overture to Alceste / Gluck
"In braccio alla vendetta ..." from / Il trionfo dell'onore / Scarlatti
"How happy could I be with either" from The Beggar's Opera / Gay-Pepusch
"I'm bubbled" (Beggar's Opera) / Gay-Pepusch
"Sempre in contrasti" from La Serva Padrona / Pergoiesi
"Per te ho io nel core" (Serva Padrona) / Pergolesi
"J'ai perdu tout mon bonheur" from Le Devin du village / Rousseau
"Bald die Blonde" from Lisuart und Dariolette / Hiller.
"Se vuol ballare ... Voi che sapete" from Le Nozze di Figaro / Mozart
"In quali eccesi ... Mi tradi" from Don Giovanni / Mozart
"Alla bella Despinetta" from Così fan tutte / Mozart
"Der Vogelfanger bin ich ja" from Die Zauberflöte / Mozart
"Mir ist so wunderbar" from Fidelio / Beethoven
"Ha! welch' ein Augenblick!" (Fidelio) / Beethoven
"Wie kalt ist es in diesem unterirdischen Gewölbe" (Fidelio) / Beethoven
"Voyez sur cette roche" from Fra Diavolo / Auber
"Gloire, gloire au grand Dieu vengeur" from Les Huguenots / Meyerbeer
"C'est ici? ... Ah je ris de me voir" from Faust / Gounod
"Largo al factotum" from / Il barbiere di Siviglia / Rossini
"Sediziose voci ... Casta Diva" from Norma / Bellini
"O giusto cielo" ... Il dolce suono" [The Mad Scene] from Lucia di Lammermoor / Donizetti
"Uhui, uhui, ..." [The Wolf's Glen Scene] from Der Freischutz / Weber
"Wir winden dir den Jungfernkranz" (Freischutz) / Weber
"Johohoe" from Der Fliegende Hollander / Wagner
"In fernem Land" from Lohengrin / Wagner
"Dass der mein Vater nicht ist" from Siegfried / Wagner
Prelude (a segment of the piece) from Tristan und Isolde / Wagner
"Mir erkoren, mir verloren" (Tristan) / Wagner
"Kennst du der Mutter Künste nicht?" (Tristan) / Wagner
"O König, das kann ich dir nicht sagen" (Tristan) / Wagner
"O Wonne, nein" (Tristan) / Wagner
Final bars of Tristran und Isolde / Wagner
Prelude to Act III of Die Meistersinger / Wagner
"Ah, fors'è lui ... Sempre libera" from La Traviata / Verdi
"Credo in un Dio crudel" from Otello / Verdi
"Mia madre aveva una povera ancella" (Otello) / Verdi
Final bars of Otello / Verdi
Coronation Scene from Boris Godunov / Mussorgsky
Polka from The Bartered Bride / Smetana
"Je vais danser en votre honneur" from Carmen / Bizet
"Eh! j'imagine que cette belle enfant" from Manon / Massenet
"Hôtelier de malheur!" (Manon) / Massenet
"Ah! quelle journée! Tu es fatigué?" from Louise / Charpentier.
"Le sue rendite oneste da un pezzo non riceve" from La Boheme / Puccini
"Chi è là? ..." (Bohème) / Puccini
Introductory music from Tosca / Puccini
"Pourquoi pleures-tu?" from Pelleas et Melisande / Debussy
"Je vais me coucher sur le marbre" (Pelleas) / Debussy
"Je ne puis me pencher davantage" (Pelleas) / Debussy
"Non, non, nous n'avons pas été coupables" (Pelleas) / Debussy
"Wo ist er, dessen Sü̈ndenbecher jetzt voll ist?" from Salome / Strauss
"Prinzessin, ich flehe, geh' hinein!" (Salome) / Strauss
"Dein Mund ist röter als die Fusse der Manner," (Salome) / Strauss
"Lass mich deinen Mund küssen" (Salome) / Strauss
"Es wird Schreckliches geschehn" (Salome) / Strauss
"Da kommt ein Licht!" from Erwartung / Schoenberg
"Mühlrad mehr sehn" from Wozzeck / Berg
"Eia popeia," (Wozzeck) / Berg
"Übrigens, ein Paar Lippen!" (Wozzeck) / Berg
Scene change to scene 3, "Ich seh' nichts" (Wozzeck) / Berg
"Ein Jäger aus der Pfalz" (Wozzeck) / Berg
"Wie der Mond rot aufgeht!" (Wozzeck) / Berg
"Ich find's nicht" (Wozzeck) / Berg
"Damn you, give me dem bones!" from Porgy and Bess / Gershwin
"Good mornin', Mister Archdale," (Porgy) / Gershwin
"Peter tell me one thing" from Peter Grimes / Britten
"Clear the court!" (Peter Grimes) / Britten
"Fair lady, gracious gentlemen," from The Rake's Progress / Stravinsky
"With air commanding and weapon handy" (Rake's Progress) / Stravinsky
"Allô, allô, mais non, Madame," from La Voix humaine / Poulenc
"Allô, Mad'moisell', il me redemand'" (Voix humaine) / Poulenc
"Dépêche-toi. Vas-y." (Voix humaine) / Poulenc
"Bomarzo!" (Bomarzo) / Ginastera
"O Rex gloriae (Bomarzo) / Ginastera
"Emperador Lucifer" (Bomarzo) / Ginastera.